Tereza Kozinc
Ravens #1, 2019
skeniran negativ, digitalni tisk na arhivski papir, paspartu, steklo, okvir / scanned negative, digital print on archival paper, passepartout, glass, framed
37 x 50 cm; sestavljeno iz 4 kosov 37 x 12 cm / consisting of 4 pieces 37 x 12 cm
100 x 134 cm; sestavljeno iz 4 kosov 100 x 32.8 cm / consisting of 4 pieces 100 x 32.8 cm
edicija 5 + 2 AP / edition of 5 + 2 AP
Serija: V ISKANJU STENLIJA / FINDING STENLI
podpisana in datirana / signed and dated
For English version please scroll down. O SERIJI »Izginil si 21. 7. 2017. Nikoli nismo našli nobenih sledi.Stenli je postal prispodoba za moje utopično iskanje doma; v gozdu, v reki,...
For English version please scroll down.
O SERIJI
»Izginil si 21. 7. 2017. Nikoli nismo našli nobenih sledi.Stenli je postal prispodoba za moje utopično iskanje doma; v gozdu, v reki, v noči in v vseh bitjih, ki so bila del najinega tropa.Hokkaido in Wakkanai. Krokarji so me vodili do zapuščenega templja in se s svojim elegantnim črnim žametnim perjem rahlo dotikali snega. Lahko sem bila samo v tistem trenutku in nikjer drugje.« – Tereza Kozinc
ABOUT THE SERIES
"You disappeared on 21st July 2017. We never found any remains.Stenli became a metaphor for my utopic search of a home; in a forest, in a river, at night and in all the creatures that were a part of our pack.
Hokkaido and Wakkanai. The ravens guided me to the abandoned temple, gently touching their elegant black velvet feathers on the snow. I could be only in that moment and nowhere else."
– Tereza Kozinc
O SERIJI
»Izginil si 21. 7. 2017. Nikoli nismo našli nobenih sledi.Stenli je postal prispodoba za moje utopično iskanje doma; v gozdu, v reki, v noči in v vseh bitjih, ki so bila del najinega tropa.Hokkaido in Wakkanai. Krokarji so me vodili do zapuščenega templja in se s svojim elegantnim črnim žametnim perjem rahlo dotikali snega. Lahko sem bila samo v tistem trenutku in nikjer drugje.« – Tereza Kozinc
ABOUT THE SERIES
"You disappeared on 21st July 2017. We never found any remains.Stenli became a metaphor for my utopic search of a home; in a forest, in a river, at night and in all the creatures that were a part of our pack.
Hokkaido and Wakkanai. The ravens guided me to the abandoned temple, gently touching their elegant black velvet feathers on the snow. I could be only in that moment and nowhere else."
– Tereza Kozinc
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