Sara Rman
EKTAR 100 #27, 2020
fotografski film / photographic film
12 x 9 cm
1/1
Serija: 4x5''
For English version please scroll down. O SERIJI Z metodično manipulacijo so fotografski filmi izpostavljeni različnim vplivom - od kemikalij, ognja in vode do mehanskega uničenja. Iz klasične dvodimenzionalnosti se...
For English version please scroll down.
O SERIJI
Z metodično manipulacijo so fotografski filmi izpostavljeni različnim vplivom - od kemikalij, ognja in vode do mehanskega uničenja. Iz klasične dvodimenzionalnosti se fotografija premakne
v prostor in ustvari kompozicije, ki mejijo na skulpture. Izkrivljeni fotografski filmi, ki se v procesu poseganja deformirajo, krčijo in raztezajo, sčasoma popolnoma izgubijo svojo prvotno funkcijo nosilcev vizualne podobe in postanejo notranji sporočevalci pomena.
ABOUT THE SERIES
Through methodical manipulation, photographic films are exposed to various influences - from chemicals, fire and water to mechanical destruction. From the classical two-dimensionality, photography moves into space and creates compositions that border on sculptures. Distorted photographic films, which deform, shrink and stretch in the process of intervention, eventually lose their original function as visual image carriers and become internal communicators of meaning.
O SERIJI
Z metodično manipulacijo so fotografski filmi izpostavljeni različnim vplivom - od kemikalij, ognja in vode do mehanskega uničenja. Iz klasične dvodimenzionalnosti se fotografija premakne
v prostor in ustvari kompozicije, ki mejijo na skulpture. Izkrivljeni fotografski filmi, ki se v procesu poseganja deformirajo, krčijo in raztezajo, sčasoma popolnoma izgubijo svojo prvotno funkcijo nosilcev vizualne podobe in postanejo notranji sporočevalci pomena.
ABOUT THE SERIES
Through methodical manipulation, photographic films are exposed to various influences - from chemicals, fire and water to mechanical destruction. From the classical two-dimensionality, photography moves into space and creates compositions that border on sculptures. Distorted photographic films, which deform, shrink and stretch in the process of intervention, eventually lose their original function as visual image carriers and become internal communicators of meaning.
