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Open a larger version of the following image in a popup: Jadran Lazić, David Bowie, 1977

Jadran Lazić

David Bowie, 1977
digital print on archival paper
60 x 50 cm
open edition
signed and dated
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I turned the corner and parked behind the hotel [where Bowie was staying]. Maybe I'd miss Sygma's leftovers or maybe Bowie would indeed use the back door. While I pondered...
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I turned the corner and parked behind the hotel
[where Bowie was staying]. Maybe I'd miss Sygma's leftovers or maybe Bowie
would indeed use the back door. While I pondered that, I spotted a snappy
dresser, looking nothing like Bowie, sneaking out of the hotel and getting into
a taxi that was clearly waiting for him. I was also lucky, because the driver
was an old guy, soon to retire. He didn't zigzag and I had no trouble following
him.



Suddenly, they stopped and out got Bowie. I
also stopped, left all four indicators flashing, jumped out and started
snapping photos. I snapped and snapped. After all, he was no Marlon Brando. If
he charged at me, I could handle him. I followed him all the way to the
entrance to a Japanese restaurant. I even followed him in.




From Jadran Lazić’s book 50 Years of
Photography
, Vol. 1, Zagreb 2021, p. 137.

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