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O SERIJI

Nino Migliori je eden od najbolj zanimivih ter artikuliranih avtorjev, ki od leta 1948 oblikuje evropsko vizualno kulturo. Od samega začetka je proizvajal neorealistične, sekvenčne fotografije, hkrati pa se je posluževal tudi originalnih, eksperimentalnih pristopov in novih materialov. Neorealismo, slog, ki je povezan tudi s sočasno filmsko produkcijo, se je zoperstavljal uradnim podobam fašističnega obdobja, sloga parad in formalnih portretov. Nova, inovativna fotografija je bila drugačna tudi od takratnih amaterskih fotografskih podob, saj je razkrila kontemplativen pogled na svet, povezan z estetskimi težnjami. Migliori je odkril nov način fotografiranja, saj je združil filmski pristop, družbeno napetost časa, pomen in moč pripovedovanja skozi fotografijo s svojim globokim razumevanjem človeške senzibilnosti.

ABOUT THE SERIES

Nino Migliori has been developing some of the most articulated and interesting research in European image culture since 1948. From the very beginning he produced neorealist sequence-narration photographs as well as original and new experimentations in materials. Neorealismo, the style linked to the tradition of film-making, opposed the official images of the fascist period, the rhetoric of parades and formal portraits. The innovative new photography was also different from amateur images, and revealed a contemplative vision of the world associated with aesthetic tendencies. Migliori has discovered a different approach to photography, joining the aspects of filmography, civil tension, the strength of story-telling and a great sensitivity for what it means to be human.