Nino Migliori has been developing some of the most articulated and interesting research in European image culture since 1948. From the very beginning he produced neorealist sequence-narration photographs as well as original and new experimentations in materials. At the end of the Sixties Migliori’s work takes on conceptual aspects, a trend which tends to prevail in the following years. Each of his productions is the result of a precise project on the power of vision, a subject that has characterised all his work. He is the aptest author to represent the exceptional adventure of photography that starts as a documentary means and later on assumes values and contents that relate to art, experimentation and interplay. Nowadays we consider Migliori a true architect of vision.
Nino MiglioriTHE FIFTIES 30 Jan - 31 Mar 2018The National Gallery of Slovenia, in cooperation with the Galerija Fotografija gallery, is organizing an exhibition of more than two hundred photos of the most important Italian photographers from the period of Neorealism. The research on Italian cultural movement “Neorealismo” has concentrated mostly on literature and cinema with little acknowledgement...