Nino Migliori has been developing some of the most articulated and interesting research in European image culture since 1948. From the very beginning he produced neorealist sequence-narration photographs as well as original and new experimentations in materials. At the end of the Sixties Migliori’s work takes on conceptual aspects, a trend which tends to prevail in the following years. Each of his productions is the result of a precise project on the power of vision, a subject that has characterised all his work. He is the aptest author to represent the exceptional adventure of photography that starts as a documentary means and later on assumes values and contents that relate to art, experimentation and interplay. Nowadays we consider Migliori a true architect of vision.